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Box 10

 Container

Contains 4 Collections and/or Records:

Experiments and Inventions, 1862 - 1966

 Series — Multiple Containers
Identifier: MSP 2, Series 1
Scope and Contents This series consists of materials that document the inventions created and patented by Benjamin Miessner, as well as experiments conducted by him and his employees. Materials located in this series include but are not limited to patents assigned to Benjamin Miessner; technical drawings, notes, and reports written by Miessner; laboratory notebooks documenting the experiments of Miessner, as well as his employees Charles T. Jacobs, Frederic D. Merrill, and Victor Mumma; developed photographs and...
Dates: 1862 - 1966; Majority of material found within 1915 - 1964

Photographs and Negatives, circa 1910-1963

 Sub-Series — Multiple Containers
Identifier: MSP 2, Series 1, Sub-Series 4
Scope and Contents This sub-series contains photographs and photographic negatives taken of Benjamin Miessner’s inventions and experiments. Subjects include but are not limited to Miessner's office and laboratory setup; Miessner’s electronic instruments, including musicians performing with them; metal detectors; and sound wave recordings.
Dates: circa 1910-1963

"Sonic Analyzer Piano and Reed Tones", circa November 1961

 File — Box: 10
Identifier: MSP 2, Series 1, Sub-Series 4
Scope and Contents From the Sub-Series: This sub-series contains photographs and photographic negatives taken of Benjamin Miessner’s inventions and experiments. Subjects include but are not limited to Miessner's office and laboratory setup; Miessner’s electronic instruments, including musicians performing with them; metal detectors; and sound wave recordings.
Dates: circa November 1961

Piano and Reed Tones, circa November 1951

 File — Box: 10
Identifier: MSP 2, Series 1, Sub-Series 4
Scope and Contents From the Sub-Series: This sub-series contains photographs and photographic negatives taken of Benjamin Miessner’s inventions and experiments. Subjects include but are not limited to Miessner's office and laboratory setup; Miessner’s electronic instruments, including musicians performing with them; metal detectors; and sound wave recordings.
Dates: circa November 1951