Box 10
Container
Contains 4 Collections and/or Records:
Experiments and Inventions, 1862 - 1966
Series — Multiple Containers
Identifier: MSP 2, Series 1
Scope and Contents
This series consists of materials that document the inventions created and patented by Benjamin Miessner, as well as experiments conducted by him and his employees. Materials located in this series include but are not limited to patents assigned to Benjamin Miessner; technical drawings, notes, and reports written by Miessner; laboratory notebooks documenting the experiments of Miessner, as well as his employees Charles T. Jacobs, Frederic D. Merrill, and Victor Mumma; developed photographs and...
Dates:
1862 - 1966; Majority of material found within 1915 - 1964
Photographs and Negatives, circa 1910-1963
Sub-Series — Multiple Containers
Identifier: MSP 2, Series 1, Sub-Series 4
Scope and Contents
This sub-series contains photographs and photographic negatives taken of Benjamin Miessner’s inventions and experiments. Subjects include but are not limited to Miessner's office and laboratory setup; Miessner’s electronic instruments, including musicians performing with them; metal detectors; and sound wave recordings.
Dates:
circa 1910-1963
"Sonic Analyzer Piano and Reed Tones", circa November 1961
File — Box: 10
Identifier: MSP 2, Series 1, Sub-Series 4
Scope and Contents
From the Sub-Series:
This sub-series contains photographs and photographic negatives taken of Benjamin Miessner’s inventions and experiments. Subjects include but are not limited to Miessner's office and laboratory setup; Miessner’s electronic instruments, including musicians performing with them; metal detectors; and sound wave recordings.
Dates:
circa November 1961
Piano and Reed Tones, circa November 1951
File — Box: 10
Identifier: MSP 2, Series 1, Sub-Series 4
Scope and Contents
From the Sub-Series:
This sub-series contains photographs and photographic negatives taken of Benjamin Miessner’s inventions and experiments. Subjects include but are not limited to Miessner's office and laboratory setup; Miessner’s electronic instruments, including musicians performing with them; metal detectors; and sound wave recordings.
Dates:
circa November 1951